Thursday, September 5, 2013

How would you interpret "The Love Song of J. Alfred Prufrock" by T. S. Eliot?

T. S. Eliot’s hugely influential poem “The Love Song of J. Alfred Prufrock” is a dramatic monologue that reveals the speaker’s perceived insecurities and shortcomings. The poem details the turbulent inner life of a man who struggles with his confidence. He is overly analytical and reticent to being called to action. He is a prime example of an antihero. The poem includes famously brilliant lines that embody his nature. For example, when he considers talking to women at a party, he laments:



“I should have been a pair of ragged claws


Scuttling across the floors of silent seas” (73).



Later in the poem, the speaker sees an opportunity slip through his outstretched hands:



“I am no prophet— and here's no great matter;


I have seen the moment of my greatness flicker,


And I have seen the eternal Footman hold my coat, and snicker,


And in short, I was afraid” (73).



The speaker’s anxious sexual frustration is present throughout the poem as he overanalyzes every aspect of his presence at a party. Toward the end of the poem, he ironically compares himself to another antihero famous for his indecision, Hamlet:



“No! I am not Prince Hamlet, nor was meant to be;


Am an attendant lord, one that will do


To swell a progress, start a scene or two,


Advise the prince; no doubt, an easy tool,


Deferential, glad to be of use,


Politic, cautious, and meticulous;


Full of high sentence, but a bit obtuse;


At times, indeed, almost ridiculous—


Almost, at times, the fool” (74).



Thus, this dramatic monologue vividly illustrates the inward struggle of a nebbish, awkward man as he reflects on his own social impotence.


I pulled my textual evidence from The Bloodaxe Book of 20th Century Poetry.

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